Steven Zultanski’s latest book, Honestly, is the third title in a trilogy (and also his third publication with Book*hug) that explores the limits of individual expression. It begins with research into a forgotten relative who was kicked out of the author’s family after he was jailed for conscientious objection to WWII, and who then moved
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For this week’s edition of Feature Friday, we’re thrilled to bring you an excerpt from Document 1 by Québécois author (and underground superhero of French writing) François Blais, translated into English by JC Sutcliffe. The latest title in our award-winning Literature in Translation Series, Document 1 is a tragicomic tale of two dreamers and their quest
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Chelene Knight’s new book, Dear Current Occupant, is a creative nonfiction memoir about home and belonging set in the 80s and 90s of Vancouver’s Downtown Eastside. In this critically-acclaimed book, which Carleigh Baker calls “a love song to East Vancouver”, Knight uses a variety of forms including letters, essays and poems, and reflects on her
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In this week’s edition of Feature Friday, we are very excited to bring you an excerpt from Oisín Curran’s award-winning novel, Blood Fable. Winner of the 2018 Thomas Raddall Atlantic Fiction Award, Blood Fable tells the story of a utopian community on the verge of collapse. The charismatic leader’s authority teeters as his followers come
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Jacob Wren’s latest book, Authenticity is a Feeling: My Life in PME-ART, is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of “being yourself
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For this week’s edition of Feature Friday, we are pleased to bring you an excerpt from Aaron Giovannone’s latest collection: The Nonnets, a book-length sequence of “nonnets”—nine-line poems that Giovannone handles with ruthless dexterity. Capturing transformations from first dates to goodbye texts, from mama’s boy to unrepentant shoplifter, from post-industrial downtown to eleventh-century Italian monastery, these
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Vancouver poet Mallory Tater’s debut poetry collection, This Will Be Good, tells the story of a young woman’s burgeoning femininity as it brushes up against an emerging eating disorder. As the difficulties of her disease reveal themselves, they ultimately disrupt family relationships and friendships. These poems deftly bear witness to the performance of femininity and
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In this week’s edition of Feature Friday, we are thrilled to bring you an excerpt from Chelene Knight’s Dear Current Occupant, a creative nonfiction memoir about home and belonging set in the 80s and 90s of Vancouver’s Downtown Eastside. Using a variety of forms including letters, essays and poems, Knight reflects on her childhood through
Continue reading »Hi, everyone! My name is Mary Ann, Book*hug’s new student intern. I’m so excited to get started, to get out of what has risked becoming a repetitive routine of researching and writing papers, and dip my toes into a very different type of literary experience. As a life-long reader and lover of all things books,
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