Watch the Book Launch and Reading:
Praise for Hope Matters:
“You need to read this book. You’ll laugh, you’ll cry and you’ll swear out loud, but mostly you’ll be proud of these ladies.” —Senator Murray Sinclair
“Daughters and mother poetry dances around each other, weaves rhythm and breathes love. The ancestors sing, babies laugh and hope always wins.” —Katherena Vermette, author of The Break and River Woman
“I was captivated by each and every one of these extraordinary poems. Each of the poets is utterly unique and yet there is a striking commonality: commonality of blood, of perspective, and most of all, how the immense power of female desire is expressed through the power and dynamism of the natural world.” —Judith Thompson, award-winning author of White Biting Dog and The Other Side of Dark
20 works of Canadian poetry to check out in spring 2019 —CBC Books
Most Anticipated: Our 2019 Spring Poetry Preview —49th Shelf
11 Canadian poetry collections to check out during National Poetry Month —CBC Books
Globe Books Spring Preview: 37 Books to Dive into as the Weather Warms Up —Becky Toyne, The Globe and Mail
A Reading List for National Indigenous Peoples Day —All Lit Up
14 books to read for Indigenous History Month —CBC Books
Writer Lee Maracle on her Neustadt nomination, and making room for more Indigenous writers —The Globe and Mail
The Best Canadian Poetry of 2019 —CBC Books
Lee Maracle is the author of a number of critically acclaimed works including: Ravensong, Bobbi Lee Indian Rebel, Daughters Are Forever, Celia’s Song (longlisted for CBC Canada Reads and a finalist for the ReLit Award), I Am Woman, First Wives Club, Talking to the Diaspora, Memory Serves: Oratories, and My Conversations with Canadians, which was a finalist for the 2018 Toronto Book Award and the First Nation Communities READ 2018-19 Award, and continues to be a nonfiction bestseller. She is also the co-editor of the award-winning My Home As I Remember. Maracle has served as Distinguished Visiting Scholar at the University of Toronto, the University of Waterloo, and the University of Western Washington. Maracle received the J.T. Stewart Award, the Premier’s Award for Excellence in the Arts, the Blue Metropolis Festival First Peoples Prize, the Harbourfront Festival Prize, and the Anne Green Award. Maracle received an Honorary Doctor of Letters from St. Thomas University, is a recipient of the Queen’s Diamond Jubilee Medal and is an Officer of the Order of Canada. In July 2019, she was announced as a finalist of the prestigious Neustadt Prize, popularly known as the American Nobel. A member of the Sto:lo Nation, Maracle currently lives in Toronto and teaches at the University of Toronto.
Columpa Bobb has worked as a producer, director, playwright and performer for over 30 years. She is the recipient of a Jessie Richardson Theatre Award for Best Actress for the lead role in The Ecstasy of Rita Joe; she was also nominated for Jessie Awards in the categories of Best Supporting Actress and Best Ensemble Cast for her work in Only Drunks and Children Tell the Truth (Firehall Arts Centre). She was nominated for a Dora Mavor Moore Award for Best Actress for Sixty Below (Native Earth Performing Arts); she was also nominated for a Dora Award for Most Outstanding Production (Youth Category) for Jumping Mouse, co-written with Marion deVries. Columpa was also nominated for a Returning the Gift Award for Contributions to North American Native Writing. For more than a decade Columpa ran Canada’s largest and most extensive empowerment through the arts training program for Indigenous youth in Winnipeg, Manitoba, which culminated in the creation of Urban Indigenous Theatre Company, Manitoba’s only professional theatre organization by and for Indigenous people.
Tania Carter is an actor, playwright and poet whose work has appeared in anthologies and scholarly journals. A member of the Sto:lo Nation, she holds a BA in World Literature and a Masters Degree in Theatre, with a specialization in Playwriting. After living in Toronto for twenty years, she now lives in British Columbia.
23 April 2019 | Poetry
7.75×5.25 inches | 176 pages
Trade Paper: 9781771664974