Nauetakuan, a silence for a noise by Natasha Kanapé-Fontaine, translated by Howard Scott

“What’s happening to you is just that the visible and the invisible are finding each other through you. You are the passageway for our reconnection. You and your generation are the ones who will give our memory back to us…”

Monica, a young woman studying art history in Montreal, has lost touch with her Innu roots. When an exhibition unexpectedly articulates a deep, intergenerational wound, she begins to search for a stronger connection to her Indigeneity. A quickly found friendship with Katherine, an Indigenous woman whose life is filled with culture and community, underscores for Monica the possibilities of turning from assimilation and toxic masculinity to something much deeper and more universal than she expects.

Travelling across the continent, from Eastern Canada to Vancouver to Mexico City, Monica connects with other Indigenous artists and thinkers, learning about the power of traditional ways and the struggles of other Nations. Throughout these physical and creative journeys, she is guided by visions of giant birds and ancestors who draw her back home to Pessamit. Reckonings with family and floods await, but amidst strange tides, she reconnects to her language, Innu-aimun, and her people.

A timely and riveting story of reclamation, matriarchies, and the healing ability of traditional teachings, Nauetakuan, a silence for a noise, underscores how reconnecting to lineage and community can transform Indigenous futures.

Praise for Nauetakuan, a silence for a noise

“A love letter to residential school survivors dedicated to their descendants… To create the universe of Nauetakuan, populated by giant animals and marvelous creatures, including the thunderbird, Natasha Kanapé Fontaine was inspired by her own dreams, various native myths, and ancient legends taught to her by Joséphine Bacon.” —Le Devoir

“Poet, singer, actress, and Innu activist, the talented Natasha Kanapé Fontaine has written her first hard-hitting novel this fall, which cuts through us like a lightning bolt.” —Le Journal de Montréal

Press Coverage:

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