Before I Was a Critic I Was a Human Being by Amy Fung
Before I Was a Critic I Was a Human Being by Amy Fung
In that moment, I felt closer to whiteness than not. I was completely complicit and didn’t think twice about entering a space that could cover their walls with images of contemporary Indigenous perspectives, but exclude their physical bodies from entering and experiencing. In that moment, I felt like a real Canadian.
Before I Was a Critic I Was a Human Being is the debut collection of essays by Amy Fung. In it, Fung takes a closer examination at Canada’s mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic.
Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing acts of colonial violence, the book as a whole takes the form of a very long land acknowledgement. Taken individually, each piece roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region’s sense of place and identity.
Praise for Before I Was a Critic I Was a Human Being:
“I am most definitely the kind of white American who breathes a sigh of relief whenever I cross the border and this compulsively readable document of the multiple states of discomfort, belonging and questioning that constitute Amy Fung’s citizenship both complicates that sensation as well as telling me more about Canada than all the trips I’ve taken so far. That flatness can be equated with modernism and the absolute erasure of Indigenous rights is the kind of poetry I live for. Amy is an awesome writer and her sheer skill and playfulness at the absolute noun and especially verb level where writing lives make the hours I’ve spent with this knowing and moving book about place and placelessness among the most valuable ones of my reading life. Wow, thank you, Amy.”
“As an Indigenous/Haudenosaunee writer and reader, I recognize within the pages of Amy Fung’s book that she does not try to convince us that she is a native rights ally but shows us with language as she moulds the term ally into a verb. Before I Was a Critic, I Was a Human Being does not pluck the weed from the top of the grassline but removes and exposes the roots to announce that humanity is what’s normal and commonplace. Her work, as a writer ally boils down to two simple things; remembering and reminding. Amy does this concisely, without pretension or want of reward. She is remembering her humanity in a time when a multitude of inhumane messages ambush us everyday. Amy also reminds the reader to nurture their own humanity. Her experienced journalist voice is tempered with the creativity of a poet to help send her medicine out into a culturally divisive world through her book.”
—Janet Rogers, author of Totem Poles and Railroads
“In this compelling work, Amy Fung breathes life and relevance into criticality. To explicate colonial and racist norms comprising 150+ years of this state and white settler civility, she carefully and unflinchingly, seeks to right her own complicity. Her retrospective stance is both attentive and productive. Through Before I was Critic I Was a Human Being we reach a better understanding of this moment of contemporary art in Canada and beyond.
With keen observation and humility, the author situates herself amid and alongside Indigenous, as well as Black, and racialized artists’ futurity and solidarities. More than vulnerable self-effacement, she enacts a grounded experiential. Fung affirms her mothers’ insight and sacrifice as she traces the infrastructural and systemic violence certain artists and audiences continue to endure. We witness many a meal and listen to a well-traveled storyteller who can spark a laugh as deft as she can reveal white supremacy. Refuse apathy—before the next opening, event or after party, this visitor’s guide is integral reading.”
—Cecily Nicholson, author of Wayside Sang, winner of the Governor General’s Literary Award for Poetry
“Amy Fung’s project—part essay collection and part extended land acknowledgement—presents complex narratives of the self that never settle, but shift and glitter around questioning of power and representation in art and writing. An astute and darkly witty voice that takes no prisoners and will hold you captive from the first page.”
—Alex Leslie, author of We All Need to Eat
Most Anticipated: Our Spring 2019 Nonfiction Preview —49th Shelf
Before She Was an Immortal Plant She Was An Author: Amy Fung in Conversation —No One Receiving
Top 10 books that may take up your May —Loan Stars
11 Books We Can’t Wait To Read This Spring —Refinery 29
New book discusses Canadian identity from an immigrant perspective —Richmond News
Author and art critic questions her own knowledge of Canada: Amy Fung’s essays take a critical look at Canadian identity and Canadian art —Dana Gee, Vancouver Sun
Before I Was a Critic I Was a Human Being: An Interview with Amy Fung —Isabella Wang, Room Magazine
“In its totality, Before I Was a Critic I Was a Human Being functions as a challenge to white settlers and to other immigrants to really consider the land acknowledgments that are offered by our institutions and at our events.” —Melanie Brannagan Frederiksen, Winnipeg Free Press
Before I Was a Critic I Was a Human Being: Amy Fung on Identity and Writing —Helena Zhang, SAD Magazine
Whose land is it anyway? A Q&A with the author of Before I Was a Critic, I Was a Human Being —John Ackermann, News 1130/CityNews
“Amy Fung’s essays raise urgent questions about the way in which Canada has positioned itself as a welcoming nation of all peoples. Growing up as an immigrant, she comments on how Whiteness and colonization take away the pride of belonging to a cultural background that is deemed different, a reality rooted in the racist notion that Europeans were worthiest of the “Great White North” myth, which led to the exclusion and erasure of Indigenous people and their rights. ” —Vinaya Gopaal, Humber Literary Review
“Touted as “a very long land acknowledgement,” Fung’s collection… is relevant and needed. First, as an attempt to unpack Canada’s national myth of the multicultural state without neglecting to see multicultural immigration as a form of continuing colonialism. Second, as an effort to join Indigenous writers such as Chelsea Vowel (Métis) and Leanne Betasamosake Simpson (Michi Saagiig Nishnaabeg), among others, who should not be the only voices holding the settler-colonial state to task.” —Jenny Ferguson, Quill and Quire
Art Reads for Summer Moons: Books Handpicked by our Editor —Shannon Webb-Campbell, Visual Arts News
Choke: An Excerpt from Amy Fung’s Before I Was a Critic I Was a Human Being —PRISM International
“This book is an example of how things are shifting. Everyone should read it. Even though it is written by an art critic, it is not a book of art criticism, barely referencing artists, art institutions, or other art critics. Rather, she demonstrates how the Canadian art world upholds the same race and class dynamics that it regularly criticizes, and she demands we do better.” —Amber Berson, Esse
“The manner in which Fung takes the lens and points in our direction, offers a snapshot of a country packed with flaws and inconsistencies. It should make all of us look inwardly for answers.” —Shelf Life
Amy Fung is a writer, researcher and curator born in Kowloon, Hong Kong, and spent her formative years in and around Edmonton on Treaty 6 Territory. Her writing has been published and commissioned by national and international publications, galleries, museums, festivals, and journals since 2007. Her multifarious curatorial projects have spanned exhibitions, cinematic and live presentations, as well as discursive events across Canada and abroad. Before I Was a Critic I Was a Human Being is her first book.
Co-published with Artspeak Gallery
Essais Series No. 7
7 May 2019 | Nonfiction | Essays
8×5.25 inches | 192 pages
Trade Paper: 9781771665056
Book*hug Press wishes to acknowledge the land on which it operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit River. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land.